| + τὸν νοῦν τρανώσας ἀκλινῶς πρὸς τὸ βλέπειν∙ | | |
| τοῦ | χρυ|σο|ρεί|θρου | καὶ | με|λι|στα|γοῦς | λόγους∙ | | |
| ἔτευ|ξε | δέλ|τον | τῶν | ἀπο|στό|λων | ὅ|λω|ς· | | |
| πρά|ξεις | σο|φῶς | φέ|ρου|σαν | ἡρ|μη|νευ|μέ|νας∙ | | |
| ὁ κλει|νὸς | λέ|ων | ἐν | πρω|το|σπα|θα|ρί|οις. | | |
| αἰτῶν διʹ αὐτῶν λύσιν ἀμπλακημάτων. |
| Type(s) | [2099] Τὸν νοῦν τρανώσας ἀκλινῶς πρὸς τὸ βλέπειν (6 verses) |
| Text source | DBBE |
| Text status | Text completely known |
| Date | 11th c. |
| Manuscript | VENICE - Biblioteca Nazionale Marciana - gr. Z. 97 (coll. 569) [11th c.] |
| Place in Manuscript | f. 3v |
| Person(s) | |
| Palaeographical information | Written in epigraphische Auszeichnungsmajuskel. To be read top (verse 1), right (verses 2-3), left (verses 4-5), bottom (verse 6). |
| Contextual information | The epigram accompanies a miniature of John Chrysostom and Lukas the Evangelist, surrounded by fourteen medallions depicting Christ, Mary and the twelve Apostles. |
| Metre(s) | Dodecasyllable |
| Genre(s) | Image-related epigram |
| Subject(s) | |
| Comment | According to Mioni (1981: 140), Leon is the scribe or the painter of the manuscript. Rhoby (2018: 348): 'Der Aorist ἔτευξε ist hier wohl kausal zu verstehen; der Protospatharios Leon ist daher aller Wahrscheinlichkeit nach nicht der Kopist, sondern der Auftraggeber der Handschrift.' |
| Image source(s) | Rhoby (2018: 683) |
| Bibliography | |
| Number of verses | 6 |
| Acknowledgements |
Transcriber(s)
Contributor(s)
The credits system has been implemented in 2019. Credits from before the new system was in use might be incomplete. |
| Permalink | http://dev.dbbe.ugent.be/occurrences/17023 |
Last modified: 2019-11-27.
